Mahmoud Mostafa El-Sayed Mohamed Metwally
Dr., Sculpture Instructor, Department of Art Education Faculty
of Specific Education Alexandria University, dr.mahmoudmostafaelsayed@gmail.com


I've marked the twentieth century many mastermind trends started carvers looking for different ways to express their ideas and find multiple forms and concepts put into trial and thus rejoined sculptor looking at everything from shapes and materials and to topics in a new reality, which led to the detection of the internal structure of materials, to develop fiber polymers and plastics and high quality mirrors and fiberglass and other reflective materials that appear most accurate reflection on the rooftops, And different types of reflective surfaces and their characteristics, including glass and plastic mirrors and metal reflective surface, and all of these types vary all images on the surface "reflected" a different form of art, flat mirrors reflect images differ from the convex and concave and these differences are the result of different angles of light reflection from the reflective surface, and that are subject to organize an athlete according to the laws of reflection.

And care this research researcher to express a sense of where the real or alaihami by professional researcher adopted applications makes the viewer sees himself when he looks at artwork as having some divided mirrors lead to non-optical selection through overlap image viewer and broken, vacuum sensor in this business depends on the surrounding environment, as well as the integration between Visual elements and concept by sharing scenes with place and work, seeing the sights for that job. Become a part of it through his image reflected on the various parts of the work, and even be a silent dialogue with the rest of the audience with him inside, and this is reflected on the Viewer to see himself in a new default is influenced by spatial reality and the new place,It already covers this reflection phenomenon research perceive the artwork and how to handle and manipulate geometric shapes and their impact on the artistic composition, it is clear that reflective materials can be exploited in holographic form building, and to check the dynamic vision of the shape object and link the work of both the viewer and the external environment variables to work.

Keywords: dynamic vision, monumental sculptural works, reflective surfaces


CITATION: Abstracts & Proceedings of ADVED 2017 - 3rd International Conference on Advances in Education and Social Sciences, 9-11 October 2017- Istanbul, Turkey

ISBN: 978-605-82433-0-9